Far from the frontlines of The Great War, a soldier's tragic death sends him back home, where a young woman he has never met is waiting for him.

“A clear strength of Tryst is the script’s concept, which constructs a highly original love story full of conflict and tragedy. The way the script establishes both Sabrina and Hilary as outsiders in their family creates a sense of anticipation for the audience as wait for the two to meet, even after Hilary’s death, as the mystery of why he’s returned as a ghost gives us an unresolved feeling that something is bound to happen between the two of them. The concept of building the shape of the story around Sabrina falling more and more for a man she can never be with is a heart-wrenchingly effective strategy, as it forces us to continue rooting for them despite the impossibility of their relationship. The script also poses compelling thematic questions through the characters of Effie and Mrs. Pilton, who take up oppositional opinions on Sabrina’s love for Hilary, as well as Alan, who is caught somewhere in the middle of the two. Having characters with varied takes on the central conceit of the story allows the audience room to decide how they feel about Sabrina as well, rather than forcing us into a particular perspective with didactic storytelling.” — WeScreenplay Evaluation

Quarter Finalist in Big Apple Film Festival Screenplay Competition (2023).